A Woman Driving by Thomas Hardy

How she held up the horses’ heads,
Firm-lipped, with steady rein,
Down that grim steep the coastguard treads,
Till all was safe again!

With form erect and keen contour
She passed against the sea,
And, dipping into the chine’s obscure,
Was seen no more by me.

To others she appeared anew
At times of dusky light,
But always, so they told, withdrew
From close and curious sight.

Some said her silent wheels would roll
Rutless on softest loam,
And even that her steeds’ footfall
Sank not upon the foam.

Where drives she now? It may be where
No mortal horses are,
But in a chariot of the air
Towards some radiant star.

The Phantom Horsewoman by Thomas Hardy

I
Queer are the ways of a man I know:
He comes and stands
In a careworn craze,
And looks at the sands
And the seaward haze
With moveless hands
And face and gaze,
Then turns to go …
And what does he see when he gazes so?

II
They say he sees as an instant thing
More clear than to-day,
A sweet soft scene
That was once in play
By that briny green;
Yes, notes alway
Warm, real, and keen,
What his back years bring –
A phantom of his own figuring.

III
Of this vision of his they might say more:
Not only there
Does he see this sight,
But everywhere
In his brain – day, night,
As if on the air
It were drawn rose-bright –
Yea, far from that shore
Does he carry this vision of heretofore:

IV
A ghost-girl-rider. And though, toil-tried,
He withers daily,
Time touches her not,
But she still rides gaily
In his rapt thought
On that shagged and shaly
Atlantic spot,
And as when first eyed
Draws rein and sings to the swing of the tide.

Silences by Thomas Hardy

There is the silence of a copse or croft
When the wind sinks dumb,
And of a belfry-loft
When the tenor after tolling stops its hum.

And there’s the silence of a lonely pond
Where a man was drowned,
Nor nigh nor yond
A newt, frog, toad, to make the merest sound.

But the rapt silence of an empty house
Where oneself was born,
Dwelt, held carouse
With friends, is of all silences most forlorn!

Past are remembered songs and music-strains
Once audible there:
Roof rafters, panes
Look absent-thoughted, tranced, or locked in prayer.

It seems no power on earth can waken it
Or rouse its rooms,
Or its past permit
The present to stir a torpor like a tomb’s.